![how to use pluraleyes 4 with many clips how to use pluraleyes 4 with many clips](https://i.ytimg.com/vi/Pzd-rCInnr4/maxresdefault.jpg)
![how to use pluraleyes 4 with many clips how to use pluraleyes 4 with many clips](https://i.ytimg.com/vi/fi4gJZKk2Pc/maxresdefault.jpg)
![how to use pluraleyes 4 with many clips how to use pluraleyes 4 with many clips](https://newproductkey.com/wp-content/uploads/2021/01/PluralEyes-Crack.jpg)
The cameras on the other hand are not recording constantly, they get moved around during the interview to add some variation and because of the 12 minute recording limit on DSLR’s are often just stopped and started again during the moments when the interviewee is having a pause. What I tend to do in this situation is record the audio for the interview non stop, ending up with one long master audio track. I’ve been working on a project recently that involved shooting interviews on a pair of DSLR’s and recording sound separately on a Zoom H4n. Once at the editing stage this proves invaluable because if you’re creating multiclips or even just want to sync up footage with audio recorded on a a separate recorder you need to have a reference point to get everything in line and perfectly synced. In the past whenever I’ve had to work with multiple cameras or dual system sound I’ve used the classic clapperboard approach where each take is marked in with a shot call and an audio/visual clap from a clapper board, albeit on the iPhone recently! One of the challenges that faces us from time to time is working with either multiple cameras or with footage where the sound has been recorded off camera – known as dual system sound.
#How to use pluraleyes 4 with many clips software#
Note: PluralEyes was purchased by Red Giant Software since this article was written so many of the links to singular software no longer work.